Dear 7 year old me,
That time when you brought your Jack Sparrow poster to class, and Miss Brown told you to keep it away from the other teachers? It wasn't because of his brilliant acting ability- it's because he's fit as fuck. And at Butlins when mum wasn't around, but that benevolent 40 year old man helped you win that prize anyway? He wasn't so nice after all. He thought you were fit as fuck. I have recently learned, that this is common. Anyone fancies anyone, as long as they're breathing. Mum fancies Robbie Williams still. Elliot fancies twelve girls at once- but that isn't a surprise. It's good to know that neither of their relationships have developed as a result. And you- well, thankfully you're not still hung up on Ryan Fry. In a few years, with puberty, you gain choice and possibility. And you should take this freedom with one piece of advice- Stay Alert, Keep your eyes open and Don't go for younger boys.
From Olivia
Olivia's creative writing blog
Friday, 5 February 2016
Friday, 6 November 2015
Redraft of short story inspired by museum trip
I have
always been resourceful. That is why when my dead Grandmother left us with her
old china, I begged for it to solely be inherited by me. With this china I had
big plans. Appreciating art- although I do not consider myself an artist- is a
pastime one could only imagine to be awakening to the mind, senses and the soul
(apparently). But I'm not sad or poetic enough to be that person. Mostly I just
like to enjoy art because patterns and designs are easy on the eye and I admire
the simplicity in looking at something beautiful without having to understand
why it is so or how it came to be.
Four
thirty seven PM is when we were given the morose news that unfortunately
Grandma had passed away. Instinctively, tear ducts should swell, words of
nostalgia should be exchanged as well as familiar hugs from Aunts and Uncles.
But the truth is, she had always been a bitch and the family were all in a secret
mutual agreement of this, but she was ill so 'couldn't help it' when she did
something awful. Like that time she put her false dentures in my Coca Cola, or
when she told my mum that she was a mistake. Ah, sweet reminiscence. She had a
remarkable set of china plates though so my forgiveness is granted, Rest in
Peace Grandma, forever in our hearts- that’s usually how it goes. Now it is
four forty two PM and the plates are in my possession; there is a plan brewing
in my head.
There are
sixteen plates in total, each in an immaculate condition. Their edges are
refined and curl up almost imperceptibly. When I look at these satisfying
edges, small glints of the light refract into my eyes, temporarily blinding me
from their delicate architecture- but I continue to analyse them in awe them
because I am a perfectionist and I love that the plates are not splintered or
broken in any way, canvases of radiance. Although there are patterns on these
plates, it is merely around the edges in a crimson and gold entanglement. The
pattern is not intricate but is just as powerful in its own candor manner. Only
millimetres away from my vision are the plates now, but I am still questioning
the impalpable serenity of them when-
"Chels," I am startled by mother’s
crow-like call of my name, "maybe stop acting up like... this... before
dad comes home. You know he's taking crap from his boss and he won't like your
shit spread out across the kitchen."
"Dad's with a blonde woman, remember. Not
at work" I retorted.
Sallow
and yellow in the face, mum retrieved the cigarette from behind her ear that
she had planned to smoke, lit up and left me basking in my victory. She was
discontent with my remark, I think. It’s the eighty seventh time I have
informed her of Dad’s affair with the blonde woman who wears a short pencil
skirt at his office, and Mum didn’t even believe me the first. The draught from
the back door she has just opened agitates my naked arms, the thread-like hairs
on them stood alert and impatient. When it is cold, arm hairs tend to do this
because air is a bad conductor of heat. Thus when it is cold, erector muscles
connected to your hair contracts, standing them on end and trapping air between
the layers to conserve as much heat as possible. It is for this reason that I
prefer to hibernate inside throughout most of the seasons and why I am going to
take my china plates to my bedroom where I intend to nourish them and keep them
safe.
To carry
each plate individually upstairs took me sixteen times ascending and sixteen
times descending the stairs. The staircase consists of thirteen steps which
means I climbed four hundred and sixteen stairs altogether, which is an even
number and is oddly satisfying. My bedroom is a box with whitewashed
walls, some cheap furniture from IKEA and a camp bed tucked into one of its
corners. It lacks personality, doesn’t offend and has no opinions or objections
which perhaps is why I seek solace in it. All I am going to do is mount the art
I have acquired from my dead grandmother onto my wall. That is the ingenious
plan. The brilliance of it is that it is so simple yet its impact will be
entirely colossal since my bedroom is sort of dismal. Usually I am not
comfortable with change but in this instance, I am.
As I am
affixing the sixteenth and final plate to the nail I have hammered into my
wall, there is a constant pick pick pick sound from beneath my room and
I have just noticed that one of my plates is not adjacent with the others. Dad
should be home just about now but he is sure to knock because that’s his
routine. At nine minutes past five his old Toyota chugs into the driveway, and
then he unfastens his seatbelt, puts the stereo in the glove box and knocks on
the door at eleven minutes past five. Out of curiosity and unease, I reassure
that we are not being burgled and peer from the landing. The door is slightly
ajar before my father emerges inconspicuously from behind it. Without his
realisation of my eyes upon him, he saunters quietly past the living room and
upstairs, his head down all the while until he reaches the last step where he
is confronted by my feet. Then my legs. Then my shoulders. And finally he meets
the expression- I’m not quite sure of what- on my face.
Grey and dishevelled, his hair is untidily
arranged in a position that it was not before he left for work this morning.
There is a lingering aroma, trying furtively to evaporate, that smells sweet
and bitter like a woman’s perfume- but it’s not the one that mum wears. He
isn’t wearing a tie either and If I correctly recall, which mostly I do, he did
have one this morning. I remember because it had circles and crosses on it that
I used to pretend to play noughts and crosses with. But I can’t associate that
with the tie anymore because it is about to be replaced by something new and destructive.
Now I remember why I do not like change.
“Mum, I told you I wasn’t lying.” I say. She
appears at the stairs phantom-like, pasty and thin against the dimly lit
hallway shadowed by winters outside sombre nature. Unlike me she carries a
heavy expression on her face at this unfortunate sight.
Shortly
after this, I feel that I am supposed to leave before there is an eruption of
spite, malice, bad language and possibly violence. This is inevitably
going to happen so my bedroom retreat is a safe haven for now. I am counting
down to detonation before I switch on my radio. China girl by David Bowie is droning
alongside the ruckus downstairs:
I could
escape this feeling, with my China girl
I feel a
wreck without my, little China girl
I hear
her heart beating, loud as thunder
Saw they
stars crashing
I'm a
mess without my, little China girl
Then a
resonating “FUCK YOU!” followed by the slam of the door that oscillates through
the entire house, leaving seven out of my sixteen china plates in a pile on my
carpet.
I am not
bitter. I am not resentful. I am not angry. I am just excruciatingly neglectful
of anything that my brain tries firing at me.
And then
I let go. I should feel pretty pissed off but it’s too hard to be angry when
there is such beauty still to be discovered. Sometimes you see it all at once,
overwhelming. And then you see the remaining china plates ample on the wall and
breathe. And beauty in simplicity can be awakening, if only you should seek to
find it.
Thursday, 5 November 2015
Short story inspired by museum visit
I have always been resourceful. That is
why when my dead Grandmother left us with her old china, I begged for it to
solely be inherited by me. With this china I had big plans. Appreciating art-
although I do not consider myself an artist- is a pastime one could only
imagine to be awakening to the mind, senses and the soul (apparently). But I'm
not sad or poetic enough to be that person. Mostly I just like to enjoy art because
patterns and designs are easy on the eye and I admire the simplicity in looking
at something beautiful without having to understand why it is so or how it came
to be.
Four thirty seven PM is when we were
given the morose news that unfortunately Grandma Olive had passed away. Truth
is, she had always been a bitch and the family were all in a secret mutual
agreement of this but she was ill so 'couldn't help it' when she did something
awful. Like that time she put her false dentures in my Coca Cola, or when she
told my mum that she was a mistake. Ah, sweet reminiscence. She had a
remarkable set of china plates though so my forgiveness is granted, RIP Grandma
Olive, forever in our hearts blah blah blah. Now it is four forty two PM and
the plates are in my possession; plan already concocted in my head.
There are sixteen plates in total, each
in an immaculate condition. Their edges are refined and curl up almost
imperceptibly. When I look at these satisfying edges, small glints of the light
refract into my eyes, temporarily blinding me from their delicate architecture-
but I continue to analyse them in awe them because I am a perfectionist and I
love that the plates are not splintered or broken in any way, canvases of
radiance. Although there are patterns on these plates, it is merely around the
edges in a crimson and gold entanglement. The pattern is not intricate but is
just as powerful in its own candor manner. Only millimetres away from my vision
are the plates now, but I am still questioning the impalpable serenity of them
when-
"Chels," I am startled by mother’s
crow-like call of my name, "maybe stop acting up like... this... before
dad comes home. You know he's taking crap from his boss and he won't like your
shit spread out across the kitchen."
"Dad's with a blonde woman,
remember. Not at work" I retorted.
Sallow and yellow in the face, mum
retrieved the cigarette from behind her ear that she had planned to smoke, lit
up and left me basking in my victory. She was discontent with my remark, I
think. It’s the eighty seventh time I have informed her of Dad’s affair with
the blonde woman who wears a short pencil skirt at his office, and Mum didn’t even
believe me the first. The draught from the back door she has just opened
agitates my naked arms, the thread like hairs on them stood alert and
impatient. When it is cold, arm hairs tend to do this because air is a bad
conductor of heat. Thus when it is cold, erector muscles connected to your hair
contracts, standing them on end and trapping air between the layers to conserve
as much heat as possible. It is for this reason that I prefer to hibernate
inside throughout most of the seasons and that I am going to take my china plates
to my bedroom where I intend to nourish them and keep them safe.
To carry each plate individually
upstairs took me sixteen times ascending and sixteen times descending the
stairs. The staircase consists of thirteen steps which means I climbed four hundred
and sixteen stairs altogether, which is an even number and is oddly
satisfying. My bedroom is a box with whitewashed walls, some cheap furniture
from IKEA and a camp bed tucked into one of its corners. It lacks personality, doesn’t
offend and has no opinions or objections which are perhaps why I seek solace in
it. Or did seek solace in it. All I am going to do is mount the art I have
acquired from my dead grandmother onto my wall. That is the ingenious plan. The
brilliance of it is that it is so simple yet its impact will be entirely
colossal. Usually I am not comfortable with change but in this instance, I am.
As I am affixing the sixteenth and
final plate to the nail I have hammered into my wall, there is a constant pick pick pick sound from beneath my
room. Dad should be home just about now but he is sure to knock because that’s his
routine. At nine past five his old Toyota chugs into the driveway, then he
unfastens his seatbelt, puts the stereo in the glovebox and knocks on the door
at five eleven. Out of curiosity and unease, I reassure that we are not being
burgled and peer from the landing. The door is slightly ajar before my father
emerges inconspicuously from behind it. Without his realisation of my eyes upon
him, he saunters quietly past the living room and upstairs, his head down all
the while until he reaches the last step where he is confronted by my feet. Then
my legs. Then my shoulders. And finally he meets the expression, I’m not quite
sure of what, on my face.
Grey and dishevelled, his hair is untidily
arranged in a position that it was not before he left for work this morning.
There is a lingering aroma, trying to evaporate, that smells sweet and bitter
like a woman’s perfume- but it’s not the one that mum wears. He isn’t wearing a
tie either and If I correctly recall, which mostly I do, he did have one this
morning. I remember because it had circles and crosses on it that I used to
pretend to play noughts and crosses with. But I can’t associate that with the
tie anymore because it is about to be replaced by something new. Now I remember
why I do not like change.
“Mum, I told you I wasn’t lying.” I
say. She appears at the stairs phantom-like, pasty and thin against the dimly
lit hallway shadowed by winter’s sombre nature. Unlike me she carries a heavy
expression on her face at this unfortunate sight.
Shortly after this, I feel that I am
supposed to leave before there is an eruption of spite, malice, bad language
and possibly violence. This is
inevitably going to happen so my bedroom retreat is a safe haven for now. I am
counting down to detonation before I switch on my radio. China girl by David
Bowie is droning alongside the ruckus downstairs:
I could escape this feeling, with my
China girl
I feel a wreck without my, little China
girl
I hear her heart beating, loud as
thunder
Saw they stars crashing
I'm a mess without my, little China
girl
Then a resonating “FUCK YOU!” followed
by the slam of the door that oscillates through the entire house, leaving seven
out of my sixteen china plates in a pile on my carpet.
I am not bitter. I am not resentful. I
am not angry. I am just excruciatingly neglectful of anything that my brain
tries firing at me.
And then I let go. I should feel pretty
pissed off but it’s too hard to be angry when there is such beauty still to be
discovered. Sometimes you see it all at once, overwhelming. And then you see
the remaining china plates ample on the wall and breathe. And beauty in
simplicity can be awakening, if only you should seek to find it.
Friday, 16 October 2015
Human
Machines
Incognito
mechanical dummies
Dishevelled
and grey
They’re
here and there or in your homes
I know
this to be true because I live with one
Sometimes
blue jeans, sometimes black
It makes
no difference anyway, not like they used to
All that exists
is your office block-
your
stapler, pens, pencils, books and laptop
All that
is material is all that means worth
Its
meaning possesses a higher power on Earth
Its work
today and work tomorrow and the next
Its work
on Monday through Saturday and then through Sunday
Dad, I’m bored.
She cried. Sorry, love… priorities
So
continue all through the evening, chug into the night
Spring,
you must type, Summer, should write, Autumn, can read, Winter, precise
Because
it’s important to work to earn money to buy a big house
But can
you buy love and can you buy treasure?
There
isn’t enough time he says, so here is what follows:
Time
pushes him, and he pushes time in this on-going fight
All the
while, someone please turn on the light!
Turn your
head to the lumen, Adam
Turn your
head to it Eve
We are
all still humans even if we feel like machines
Saturday, 26 September 2015
What do you notice about the writer’s use of punctuation?
Balloons: Sylvia Plath.
The utilization of punctuation in Sylvia Plath’s poem “Balloons” is minimal. It is noticeable that throughout the poems entirety there are only four full stops- which considering its length is not a lot. Regarding this, the effect made can be established. The lack of full stops can imply about the poem that it is a continuous train of thought, never stopping. It can make the lines and stanzas of the poem converge into one which makes the memory appear to be more vivid.
Composition: Jo Shapcott.
Much like Balloons, this poem uses only a scarce amount of full stops and commas which will again induce the atmosphere of one long train of thought or idea. The memory recounted is told in a stream of consciousness.
Balloons: Sylvia Plath.
The utilization of punctuation in Sylvia Plath’s poem “Balloons” is minimal. It is noticeable that throughout the poems entirety there are only four full stops- which considering its length is not a lot. Regarding this, the effect made can be established. The lack of full stops can imply about the poem that it is a continuous train of thought, never stopping. It can make the lines and stanzas of the poem converge into one which makes the memory appear to be more vivid.
Composition: Jo Shapcott.
Much like Balloons, this poem uses only a scarce amount of full stops and commas which will again induce the atmosphere of one long train of thought or idea. The memory recounted is told in a stream of consciousness.
Discuss your response in light of the extract from “Writing poems”
After reading this extract, I have established that it is not always significant or necessary to include punctuation, stanza or line breaks and other features of traditional poetry. However you decide to write your poem is your decision and the effect it makes should be reflective of what you feel so the naturally the poem is dependent on the situation and reflective of the poets mood.
Saturday, 19 September 2015
First draft of poem
The Albion
I encompass the pistol,
the embellished creases of my hands in its mechanical embrace.
Although I thought it was I who embraced it.
Forwards, look ahead, he said. Aim and shoot.
And I do. And gun crime is illegal but shooting in the Albion is not
so it becomes a ritual. Aim and shoot, aim and shoot, aim and shoot.
It is rhythmic, therapeutic. O father, please warn me.
But he never did.
Pull the trigger again once more- but I am the unsung instrument of woe,
the metallic amalgamation whispers sacredly.
Too little too late did I hear the sound of warning but
Oh well, never mind. Father shoot me if you please.
It would be something to tell about
and the pistol encompasses me
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